"Triple Concerto in C Major, Op. 56: II. Largo" by Ludwig van Beethoven, Géza Anda, Wolfgang Schneiderhan, Pierre Fournier, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay was released on July 1, 1961. With this song being about 5 minutes long, at 5:02, "Triple Concerto in C Major, Op. 56: II. Largo" by Ludwig van Beethoven, Géza Anda, Wolfgang Schneiderhan, Pierre Fournier, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 3 in Beethoven: Triple Concerto in C Major, Op. 56 by Ludwig van Beethoven, Géza Anda, Wolfgang Schneiderhan, Pierre Fournier, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Triple Concerto in C Major, Op. 56: II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Triple Concerto in C Major, Op. 56: II. Largo by Ludwig van Beethoven, Géza Anda, Wolfgang Schneiderhan, Pierre Fournier, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: III. Presto agitato | Ludwig van Beethoven, Paul Lewis | F♯ Minor | 2 | 11A | 158 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM |
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