Triple Concerto in C Major, Op. 56: II. Largo
Ludwig van Beethoven, Géza Anda, Wolfgang Schneiderhan, Pierre Fournier, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Beethoven: Triple Concerto in C Major, Op. 56
5:02 July 1, 1961
BPM
92
Key
A♭ Major
Camelot
4B

Embed

Share Link

Triple Concerto in C Major, Op. 56: II. Largo - Ludwig van Beethoven, Géza Anda, Wolfgang Schneiderhan, Pierre Fournier, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay Information

Acousticness
95%
Danceability
18%
Energy
7%
Instrumentalness
83%
Liveness
12%
Loudness
60%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.816 dB

Summary

"Triple Concerto in C Major, Op. 56: II. Largo" by Ludwig van Beethoven, Géza Anda, Wolfgang Schneiderhan, Pierre Fournier, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay was released on July 1, 1961. With this song being about 5 minutes long, at 5:02, "Triple Concerto in C Major, Op. 56: II. Largo" by Ludwig van Beethoven, Géza Anda, Wolfgang Schneiderhan, Pierre Fournier, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 3 in Beethoven: Triple Concerto in C Major, Op. 56 by Ludwig van Beethoven, Géza Anda, Wolfgang Schneiderhan, Pierre Fournier, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Triple Concerto in C Major, Op. 56: II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Triple Concerto in C Major, Op. 56: II. Largo BPM

The tempo marking of Triple Concerto in C Major, Op. 56: II. Largo by Ludwig van Beethoven, Géza Anda, Wolfgang Schneiderhan, Pierre Fournier, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Triple Concerto in C Major, Op. 56: II. Largo Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Romance No. 2 In F Major, Op. 50 by Slovak Philharmonic, Takako Nishizaki, Ludwig van BeethovenRomance No. 2 In F Major, Op. 50Slovak Philharmonic, Takako Nishizaki, Ludwig van BeethovenF Major17B88 BPM
Jeux d'enfants, Op. 22 WD 56: 3. La poupée by Georges Bizet, Katia Labèque, Marielle LabèqueJeux d'enfants, Op. 22 WD 56: 3. La poupéeGeorges Bizet, Katia Labèque, Marielle LabèqueB Major01B64 BPM
Rage Over A Lost Penny, Op. 129 by Valentina LisitsaRage Over A Lost Penny, Op. 129Valentina LisitsaG Major29B80 BPM
Sonata No. 14 Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: III. Presto agitatoLudwig van Beethoven, Paul LewisF♯ Minor211A158 BPM
Rigaudons I, II & Double by Jean-Philippe Rameau, Víkingur ÓlafssonRigaudons I, II & DoubleJean-Philippe Rameau, Víkingur ÓlafssonE Major312B106 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 2 (Arr. E. Guiraud): II. HabaneraGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezD Major010B127 BPM
Ständchen in D Minor (After Schubert), S. 560 by Franz Liszt, Lise de la SalleStändchen in D Minor (After Schubert), S. 560Franz Liszt, Lise de la SalleD Major010B76 BPM
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 by Carl Maria von Weber, Michael Endres7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2Carl Maria von Weber, Michael EndresC Major18B95 BPM
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso by Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno KevehaziWind Quintet in E-Flat Major, Hess 19: II. Adagio maestosoLudwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno KevehaziE♭ Major05B62 BPM
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo by Bedřich Smetana, Jitka Čechová3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppoBedřich Smetana, Jitka ČechováE Major012B131 BPM
ISRC
DEF056002252
Label
L-M Records/RCA Records

Section: 0.7350287437438965

End: 0.7385225296020508