Leonard Bernstein, Jim Bryant, Johnny Green's 'West Side Story: Act I: Maria' came out on 1961. The duration of West Side Story: Act I: Maria is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. West Side Story: Act I: Maria's duration is considered a little bit shorter than the average duration of a typical track. This song is part of West Side Story (Original Motion Picture Soundtrack) by Leonard Bernstein. The song's track number on the album is #6 out of 19 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, West Side Story: Act I: Maria is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since West Side Story: Act I: Maria by Leonard Bernstein, Jim Bryant, Johnny Green has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With West Side Story: Act I: Maria being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
1776: Cool, Cool, Considerate Men | Sherman Edwards, Paul Hecht, David Ford, 1776 Ensemble, Peter Howard | C Minor | 4 | 5A | 96 BPM | ||
Cell Block Tango | Catherine Zeta-Jones, Susan Misner, Deidre Goodwin, Denise Faye, Ekaterina Chtchelkanova, Mya Harrison, Taye Diggs | D♭ Major | 3 | 3B | 125 BPM | ||
Class | Catherine Zeta-Jones, Queen Latifah | F♯ Major | 3 | 2B | 120 BPM | ||
Life Is Just A Bowl Of Cherries | Valarie Pettiford | D Major | 1 | 10B | 108 BPM | ||
You and I | Arthur Freed, Denny Markass | D Major | 0 | 10B | 88 BPM | ||
Camelot: Overture | Frederick Loewe, The Camelot Orchestra, Franz Allers | E Minor | 3 | 9A | 75 BPM | ||
Mass: Confession: Trope, "I Don't Know" (First Rock Singer and Descant, Second Rock Singer, Male Street Chorus) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | B Minor | 3 | 10A | 124 BPM | ||
Sue Me | Faith Prince, Nathan Lane | C Minor | 1 | 5A | 116 BPM | ||
The Lusty Month of May | Vanessa Redgrave, Lee Herschberg | G Major | 2 | 9B | 124 BPM | ||
Seventy Six Trombones / Goodnight My Someone | Robert Preston, Shirley Jones | C Major | 2 | 8B | 128 BPM |
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