Carlos Salzedo, Salzedo Harp Duo's 'Short Stories in Music: Behind the Barracks' came out on January 1, 2004. With Short Stories in Music: Behind the Barracks being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carlos Salzedo, Salzedo Harp Duo's "Harp Duos - Salzedo, C. / Martini, J.-P.-G. / Rameau, J.-P. / Debussy, C. / Bach, J.S. / Dandrieu, J.-F. / Mendelssohn, Felix" album is number 22 out of 27. In terms of popularity, Short Stories in Music: Behind the Barracks is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Short Stories in Music: Behind the Barracks by Carlos Salzedo, Salzedo Harp Duo to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate pour flûte et piano, Op. 64: I. Andantino con moto | Mel Bonis, Mathilde Calderini, Aurèle Marthan | F♯ Major | 0 | 2B | 66 BPM | ||
Oblivion (Arr. H. Abel for oboe and chamber ensemble) | Astor Piazzolla, Claremont Duo | C Minor | 0 | 5A | 88 BPM | ||
5 Preludes for Harp Alone: No. 4, Introspection | Carlos Salzedo, Yolanda Kondonassis | G Major | 0 | 9B | 83 BPM | ||
La grotte de Versailles, LWV 39: Dans ces deserts paisibles | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
French Suite No. 6 in E Major, BWV 817 (arr. C. Salzedo): II. Courante | Johann Sebastian Bach, Carlos Salzedo, Salzedo Harp Duo | E♭ Major | 2 | 5B | 125 BPM | ||
Sonata No. 8 in F Major: IV. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 82 BPM | ||
Sonate e Partite: No. 39, Allegro grazioso | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
ボロディン:ダッタン人の踊り | Bolodin, Emiri Miyamoto | F♯ Minor | 2 | 11A | 79 BPM | ||
Ave Maria, CG 89 (After J.S. Bach's BWV 846) [Arr. Y. Ito for Marimba, Vibraphone & Harp] | Charles Gounod, Kana Omori, Yurika Kimura, Riho Yamaji | G Major | 3 | 9B | 86 BPM | ||
Three Wedding Dances for Solo Clarinet: II. Andante | Anton Weinberg, Luigi Magistrelli | D Minor | 0 | 7A | 83 BPM |
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