- BPM
- 88
- Key
- B Minor
- Camelot
- 10A
Harry In Winter - From "Harry Potter and the Goblet of Fire" - Patrick Doyle, The Royal Philharmonic Orchestra/Nic Raine Information
- Acousticness
- 95%
- Danceability
- 18%
- Energy
- 23%
- Instrumentalness
- 95%
- Liveness
- 10%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 26%
- Loudness
- -16.764 dB
Summary
"Harry In Winter - From "Harry Potter and the Goblet of Fire"" by Patrick Doyle, The Royal Philharmonic Orchestra/Nic Raine was released on April 19, 2010. The duration of Harry In Winter - From "Harry Potter and the Goblet of Fire" is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Harry In Winter - From "Harry Potter and the Goblet of Fire"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Royal Philharmonic Orchestra's "Greatest Film Classics" album is number 1 out of 36. Harry In Winter - From "Harry Potter and the Goblet of Fire" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Harry In Winter - From "Harry Potter and the Goblet of Fire" BPM
We consider the tempo marking of Harry In Winter - From "Harry Potter and the Goblet of Fire" by Patrick Doyle, The Royal Philharmonic Orchestra/Nic Raine to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
Harry In Winter - From "Harry Potter and the Goblet of Fire" Key
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | |
 | Bambi's Dream - From "Bambi II"/Score | Bruce Broughton | E Major | 2 | 12B | 116 BPM | |
 | Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | |
 | Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | |
 | The Beginning of the Partnership | Stephen Warbeck, Nick Ingman, Gavyn Wright | B♭ Major | 2 | 6B | 138 BPM | |
 | The Hilltop | Max Richter | D Major | 5 | 10B | 80 BPM | |
 | Farewell Aragog | Nicholas Hooper | G Major | 0 | 9B | 82 BPM | |
 | If I Had Words | Melbourne Symphony Orchestra, Nigel Westlake | G Major | 3 | 9B | 105 BPM | |
 | The Proposal (Under The Horse Chestnut Tree) | Isobel Waller-Bridge, David Schweitzer | C Major | 1 | 8B | 85 BPM | |
 | The Impossible Main Titles | Fernando Velázquez | C Minor | 1 | 5A | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.49149513244628906
End: 0.49672365188598633