Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto
Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti
Tchaikovsky: Swan Lake (The Mercury Masters: The Mono Recordings)
2:43 1954
BPM
88
Key
G Minor
Camelot
6A

Embed

Share Link

Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto - Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti Information

Acousticness
89%
Danceability
19%
Energy
4%
Instrumentalness
89%
Liveness
29%
Loudness
55%
Speechiness
4%
Valence
13%
Popularity
Loudness
-27.14 dB

Summary

"Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto" by Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti was released on 1954. The duration of Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "Tchaikovsky: Swan Lake (The Mercury Masters: The Mono Recordings)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto BPM

With Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto by Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for Strings in A Minor, RV 161: I. Allegro by Antonio Vivaldi, Accademia I Filarmonici, Alberto MartiniConcerto for Strings in A Minor, RV 161: I. AllegroAntonio Vivaldi, Accademia I Filarmonici, Alberto MartiniB♭ Major56B124 BPM
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitatoFelix Mendelssohn, NDR Radiophilharmonie, Andrew ManzeG Minor06A109 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. CarillonGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezE Major012B143 BPM
Concerto for Strings in G Major, RV 151, Concerto for Strings in G Major, RV 151, "Alla Rustica": I. PrestoAntonio Vivaldi, Accademia I Filarmonici, Alberto MartiniD Major310B107 BPM
Nocturne No. 2 in C Minor by John Field, Benjamin FrithNocturne No. 2 in C MinorJohn Field, Benjamin FrithC Minor05A67 BPM
Sicilienne, Op. 78 by Gabriel Fauré, Harriet Krijgh, Kamilla IsanbaevaSicilienne, Op. 78Gabriel Fauré, Harriet Krijgh, Kamilla IsanbaevaE♭ Major15B123 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
Swan Lake Suite, Op. 20a: II. Waltz by Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Gustavo DudamelSwan Lake Suite, Op. 20a: II. WaltzPyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Gustavo DudamelA Major111B103 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] by Franz Liszt, Joseph Banowetz6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]Franz Liszt, Joseph BanowetzG Minor06A96 BPM
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraTchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - AllegroPyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraE Major112B62 BPM
ISRC
NLA505401592
Label
L-M Records/RCA Records

Section: 0.7666816711425781

End: 0.7710318565368652