On August 1, 1999, the song "Der Stein der Weisen, Act II: Finale. Miau! Miau!" was released by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan. With Der Stein der Weisen, Act II: Finale. Miau! Miau! being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman's "Mozart, Henneberg, Schack, Gerl & Schikaneder: Der Stein der Weisen" album is number 46 out of 54. On top of that, United States appears to be the country where this track was created. Der Stein der Weisen, Act II: Finale. Miau! Miau! is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Der Stein der Weisen, Act II: Finale. Miau! Miau! by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in E-Flat Major, Op. 1, No. 4: III. Presto | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 2 | 6B | 141 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": III. Recitativo, Tenor solo: Saget es, die ihr erlöst seid | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Patrick Grahl | E Major | 1 | 12B | 72 BPM | ||
Divertimento No. 4, Kv 439b (Kv Anhang 229): Allegretto | Arts Music Recording, Rotterdam, Johan Steinmann, Henk De Graaf, Wolfgang Amadeus Mozart, Jan Jansen | B♭ Major | 1 | 6B | 134 BPM | ||
Exsultate, Jubilate, K. 165: Alleluia | Camerata Cassovia, Priti Coles, Anonymous, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 122 BPM | ||
Alceste (Sung in French), Act III: Act III: Trio: Recois, Dieu bienfaisant (Alcestis, Admetus, Hercules) | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Bernd Weikl, Bavarian Radio Symphony Orchestra, Serge Baudo | C Major | 2 | 8B | 65 BPM | ||
Symphony No. 1 in D Major, Hob.I:1: III. Finale: Presto | Joseph Haydn, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Major | 1 | 10B | 119 BPM | ||
Requiem in B-Flat Major, MH 838: V. Rex tremendae | Michael Haydn, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun | F♯ Minor | 0 | 11A | 69 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "T'assiste Amore!" (Amore, Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Fatma Said, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
交響曲 第39番 K.543~第4楽章 | リボル・ペシェック, Czech National Symphony Orchestra | E♭ Major | 3 | 5B | 127 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?" | Wolfgang Amadeus Mozart, Diana Damrau, Joyce DiDonato, Mojca Erdmann, Rolando Villazón, Konstantin Wolff, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 61 BPM |
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