"The Throne of God: And after these things" by Leo Sowerby, William Ferris Chorale, Composer Festival Orchestra, Thomas Weisflog, William Ferris was released on May 1, 1997. The duration of The Throne of God: And after these things is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. The Throne of God: And after these things's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Throne of God". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, The Throne of God: And after these things's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Throne of God: And after these things by Leo Sowerby, William Ferris Chorale, Composer Festival Orchestra, Thomas Weisflog, William Ferris having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lay a Garland | Robert Lucas Pearsall, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 80 BPM | ||
Canticle of the Sun: Praised be my Lord God with all creatures … | Leo Sowerby, Grant Park Chorus, Grant Park Orchestra, Carlos Kalmar | D Major | 2 | 10B | 137 BPM | ||
Wesley: And Can It Be That I Should Gain (Sagina) - 4. Long My Imprisoned Spirit Lay | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | E♭ Major | 1 | 5B | 0 BPM | ||
Jesus Has Come | I-to Loh, Tapestry Chamber Singers | C Major | 1 | 8B | 83 BPM | ||
Psalm 121, I will Lift Up Mine Eyes, H. 147 | Leo Sowerby, Roberts Wesleyan College Chorale, Susan Collins, Kevin Clarke, Robert Shewan | A♭ Major | 2 | 4B | 73 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Christians, to the Paschal Victim | Leo Sowerby, Elizabeth C. Patterson, Gloriae Dei Cantores, James E. Jordan | E Major | 1 | 12B | 166 BPM | ||
Magnificat in E Major | Herbert Murrill, Rochester Cathedral Choir, William Whitehead, Roger Sayer | A Minor | 1 | 8A | 105 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, Tenebrae, Nigel Short | C Minor | 1 | 5A | 137 BPM | ||
The Blessing of Aaron | McFarland High School A Cappella Choir | D♭ Major | 1 | 3B | 85 BPM |
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