Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 37.3 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 37.3 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:08. Based on our data, "Kapitel 37.3 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #79 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 37.3 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 37.3 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 37.3 - Wie Google tickt - How Google Works being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: In trutina | Carl Orff, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VIII. Gloria Patri | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Stabat Mater, FP 148: VI. Vidit suum | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | G Major | 1 | 9B | 113 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM | ||
Mi lagnero tacendo, K. 437 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | A♭ Major | 2 | 4B | 109 BPM | ||
Fauré: Requiem, Op. 48: I. Introitus - Kyrie | Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra | F Major | 1 | 7B | 81 BPM | ||
Kapitel 6.3 & Kapitel 7.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | D♭ Minor | 3 | 12A | 63 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Aaria, Herrani, Oletko | Joose Vähäsöyrinki | C Minor | 1 | 5A | 76 BPM |
Section: 0.8864688873291016
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