"Ballet Suite No. 3 (Arr. L. Atovmyan for Orchestra): VI. Galop" by Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich was released on March 16, 2018. The duration of Ballet Suite No. 3 (Arr. L. Atovmyan for Orchestra): VI. Galop is about 3 minutes long, at 3:28. Based on our data, "Ballet Suite No. 3 (Arr. L. Atovmyan for Orchestra): VI. Galop" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 40 in the song's album "Shostakovich: Ballet Suites & Film Music". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Italy. Based on our statistics, Ballet Suite No. 3 (Arr. L. Atovmyan for Orchestra): VI. Galop's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ballet Suite No. 3 (Arr. L. Atovmyan for Orchestra): VI. Galop by Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.2 in E flat major, Op.9 No.2 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 129 BPM | ||
13 Pieces, Op. 76: No. 2 Etude | Jean Sibelius, Håvard Gimse | A Minor | 2 | 8A | 72 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Chopin: Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Alexandre Tharaud | G Minor | 2 | 6A | 69 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E Minor | 3 | 9A | 82 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM |
Section: 0.7834935188293457
End: 0.7875571250915527