Emanuel Geibel, Robert Schumann, Hanna Schwarz's 'Schumann: Spanisches Liederspiel, Op. 74: No. 1, Erste Begegnung, "Von dem Rosenbusch, o Mutter" (Lebhaft)' came out on April 5, 2013. The duration of Schumann: Spanisches Liederspiel, Op. 74: No. 1, Erste Begegnung, "Von dem Rosenbusch, o Mutter" (Lebhaft) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Schumann: Spanisches Liederspiel, Op. 74: No. 1, Erste Begegnung, "Von dem Rosenbusch, o Mutter" (Lebhaft)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "Schumann: Lieder". In this album, this song's track order is #1. In terms of popularity, Schumann: Spanisches Liederspiel, Op. 74: No. 1, Erste Begegnung, "Von dem Rosenbusch, o Mutter" (Lebhaft) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Schumann: Spanisches Liederspiel, Op. 74: No. 1, Erste Begegnung, "Von dem Rosenbusch, o Mutter" (Lebhaft) by Emanuel Geibel, Robert Schumann, Hanna Schwarz having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanische Liebeslieder, Op. 138: 4. Bedeckt mich mit Blumen | Robert Schumann, Emanuel Geibel, Sibylla Rubens, Wiebke Lehmkuhl, Gerold Huber, James Cheung | B♭ Major | 3 | 6B | 108 BPM | ||
Mozart: Flute Sonata in G Major, K. 379: II. (e) Andantino cantabile. Variation IV (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | G Minor | 2 | 6A | 71 BPM | ||
On the Overgrown Path / Book 1: No. 2, A Blown-Away Leaf | Leoš Janáček, Olena Kushpler | B♭ Major | 0 | 6B | 69 BPM | ||
Winterreise, D. 911: No. 7, Auf dem Flusse | Franz Schubert, Andrè Schuen, Daniel Heide | G Minor | 0 | 6A | 129 BPM | ||
Preludio de Sofía | José María Vitier, Carlos Manuel Vargas | A Major | 1 | 11B | 69 BPM | ||
Davidsbündlertänze, Op. 6: No. 15, Frisch | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
Crimean Sketches, Series 1, Op. 9 (Arr. for Piano): No. 3. Chanson a boire | Aleksandr Spendiaryan, Mikael Ayrapetyan | A Major | 1 | 11B | 110 BPM | ||
Paraphrase de concert sur „Volvio Una Noche | Hannes Pohlit, Carlos Gardel | F Major | 1 | 7B | 136 BPM | ||
Clarinet Sonata, FP 184: II. Romanza. Très calme | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
Lied ohne Worte, Op. 85: No. 6 in B-Flat Major, MWV U 155 | Felix Mendelssohn, Peter Donohoe | E Major | 0 | 12B | 72 BPM |
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