Franz Krommer, Alex Klein, Czech National Symphony Orchestra, Paul Freeman made "Oboe Concerto No. 2 in F Major, Op. 52: I. Allegro" available on January 1, 2000. Since Oboe Concerto No. 2 in F Major, Op. 52: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Krommer, Alex Klein's "Krommer: Oboe Concertos Nos. 1 and 2 / Hummel: Introduction, Theme and Variations" album is number 4 out of 7. Based on our statistics, Oboe Concerto No. 2 in F Major, Op. 52: I. Allegro's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Oboe Concerto No. 2 in F Major, Op. 52: I. Allegro by Franz Krommer, Alex Klein, Czech National Symphony Orchestra, Paul Freeman to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in E-Flat Major, H-U 277: I. Adagio ma non troppo | Fanny Mendelssohn, Takács Quartet | A♭ Major | 1 | 4B | 139 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob.I:105: III. Allegro con spirito | Joseph Haydn, Andrius Puskunigis, Michael Kaulartz, Woitek Garbowski, Pirkko Langer, Heidelberg Symphony Orchestra, Thomas Fey | B♭ Major | 1 | 6B | 136 BPM | ||
Rosetti : Horn Concerto in D minor : I Allegro molto | Antonio Rosetti, Hermann Baumann, Jaap Schröder, Concerto Amsterdam | F Major | 1 | 7B | 130 BPM | ||
Das listige Bauernmädchen: No. 16a, Allegro non troppo | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Armida: Armida: Sinfonia in Pantomima | Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey | G Major | 1 | 9B | 83 BPM | ||
Cello Concerto No. 2 in D Hob. VIIb:2 (Cadenzas: Lynn Harrell): III. Rondo (Allegro) - Cadenza | Lynn Harrell, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 134 BPM | ||
Concerto pour deux Clarinettes et Orchestre, Op. 35: I. Allegro | Franz Krommer, Jan Caeyers, Nouvel Orchestre de Chambre de Belgique, Anne Boeykens, Walter Boeykens | B♭ Major | 0 | 6B | 130 BPM | ||
Symphony in F Major, F. 28: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 87 BPM | ||
Symphony No. 9 in C Major: IV. Finale. Allegro moderato | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths | C Major | 1 | 8B | 141 BPM | ||
String Quartet No. 2 in D Major, K. 155: III. Molto allegro | Eder Quartet | D Major | 1 | 10B | 153 BPM |
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