Luc Beauséjour made "The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 24 in B minor, BWV 869" available on March 27, 2007. The duration of The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 24 in B minor, BWV 869 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 24 in B minor, BWV 869's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 48 in Bach, J.S.: The Well-Tempered Clavier , Book I by Luc Beauséjour. In terms of popularity, The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 24 in B minor, BWV 869 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 24 in B minor, BWV 869 by Luc Beauséjour is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Das listige Bauernmädchen: No. 12, — | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Troisième Concert en la: VII. Chaconne légère | François Couperin, Luc Beauséjour, Chantal Remillard, Margaret Little, Grégoire Jeay, Matthew Jennejohn, Mathieu Lussier | A♭ Major | 2 | 4B | 73 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 23 in B major, BWV 868 | Luc Beauséjour | B♭ Major | 4 | 6B | 141 BPM | ||
First Sonata, in D Major: IV. Gayement | Joseph Bodin de Boismortier, Claire Guimond, Luc Beauséjour | C Major | 1 | 8B | 94 BPM | ||
Le Coucou | Louis-Claude Daquin, Luc Beauséjour | F Minor | 3 | 4A | 118 BPM | ||
Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Vivace | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | B♭ Minor | 0 | 3A | 165 BPM | ||
Polonaise in G Major, BWV Anh. 125 | Carl Philipp Emanuel Bach, Luc Beauséjour | D Major | 1 | 10B | 93 BPM | ||
Corrente seconda | Girolamo Frescobaldi, Luc Beauséjour | C Major | 2 | 8B | 120 BPM | ||
Polonaise in G Minor, BWV Anh. 119 | Carl Philipp Emanuel Bach, Luc Beauséjour | F♯ Minor | 1 | 11A | 120 BPM |
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