"Beethoven: Piano Trio No. 7 in B-Flat Major, Op. 97 "Archduke": III. Andante cantabile" by Ludwig van Beethoven, Jacqueline du Pré, Pinchas Zukerman, Daniel Barenboim was released on 1970. Beethoven: Piano Trio No. 7 in B-Flat Major, Op. 97 "Archduke": III. Andante cantabile appears to be safe for all ages as it is not explicit. The song is number 7 out of 27 in Beethoven: Piano Trios & Variations by Ludwig van Beethoven, Daniel Barenboim. Based on our statistics, Beethoven: Piano Trio No. 7 in B-Flat Major, Op. 97 "Archduke": III. Andante cantabile's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Piano Trio No. 7 in B-Flat Major, Op. 97 "Archduke": III. Andante cantabile by Ludwig van Beethoven, Jacqueline du Pré, Pinchas Zukerman, Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Morceaux de fantaisie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 0 | 6A | 112 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Beethoven: Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo | Ludwig van Beethoven, Andrew von Oeyen | B♭ Minor | 2 | 3A | 142 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM |
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