- BPM
- 137
- Key
- C Major
- Camelot
- 8B
Space Oddity (feat. The Royal Choral Society) - London Symphony Orchestra, Royal Choral Society Information
- Acousticness
- 82%
- Danceability
- 22%
- Energy
- 29%
- Instrumentalness
- 92%
- Liveness
- 12%
- Loudness
- 74%
- Speechiness
- 3%
- Valence
- 8%
- Popularity
- 12%
- Loudness
- -15.414 dB
Summary
"Space Oddity (feat. The Royal Choral Society)" by London Symphony Orchestra, Royal Choral Society was released on January 1, 1978. Space Oddity (feat. The Royal Choral Society) is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 6 out of 10 in Classic Rock - The Second Movement by London Symphony Orchestra. Based on our statistics, Space Oddity (feat. The Royal Choral Society)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Space Oddity (feat. The Royal Choral Society) BPM
The tempo marking of Space Oddity (feat. The Royal Choral Society) by London Symphony Orchestra, Royal Choral Society is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Space Oddity (feat. The Royal Choral Society) Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | A Minor | 2 | 8A | 63 BPM | |
 | Prokofiev: Cinderella, Op. 87, Act 1: Cinderella's Departure for the Ball | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 2 | 9B | 184 BPM | |
 | Define Dancing | Thomas Newman | D♭ Major | 4 | 3B | 99 BPM | |
 | Hobbits - By Johan De Meij, Conducted by David Warble | London Symphony Orchestra | D♭ Major | 4 | 3B | 111 BPM | |
 | Toccata and Fugue in D minor | Johann Sebastian Bach, William McVicker | D Minor | 0 | 7A | 72 BPM | |
| Gandalf (The Wizard) - By Johan De Meij, Conducted by David Warble | London Symphony Orchestra | D♭ Major | 4 | 3B | 111 BPM | |
 | Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | |
 | A Night On The Bare Mountain | Modest Mussorgsky, London Symphony Orchestra, Leopold Stokowski | D Major | 4 | 10B | 97 BPM | |
 | Serenade for tenor, horn & strings, Op. 31: Nocturne - The Splendour Falls on Castle Walls | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | E♭ Major | 2 | 5B | 134 BPM | |
 | Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7123231887817383
End: 0.7164411544799805