オラトリオ「ゲロンティアスの夢」 Op. 38: 第2部だが聞け、あの壮大で神秘なハーモニーを - Edward Elgar, William Kendall, Sarah Fryer, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, David Hill Information

Acousticness: 93%
Danceability: 29%
Energy: 34%
Instrumentalness: 96%
Liveness: 6%
Loudness: 76%
Speechiness: 4%
Valence: 31%
Popularity: 0%
Loudness: -14.481 dB

Summary

Edward Elgar, William Kendall, Sarah Fryer, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, David Hill's 'オラトリオ「ゲロンティアスの夢」 Op. 38: 第2部だが聞け、あの壮大で神秘なハーモニーを' came out on October 2, 2020. Since オラトリオ「ゲロンティアスの夢」 Op. 38: 第2部だが聞け、あの壮大で神秘なハーモニーを is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in エルガー・ザ・ベスト, so we believe that "オラトリオ「ゲロンティアスの夢」 Op. 38: 第2部だが聞け、あの壮大で神秘なハーモニーを" is a single. オラトリオ「ゲロンティアスの夢」 Op. 38: 第2部だが聞け、あの壮大で神秘なハーモニーを is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

オラトリオ「ゲロンティアスの夢」 Op. 38: 第2部だが聞け、あの壮大で神秘なハーモニーを BPM

The tempo marking of オラトリオ「ゲロンティアスの夢」 Op. 38: 第2部だが聞け、あの壮大で神秘なハーモニーを by Edward Elgar, William Kendall, Sarah Fryer, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, David Hill is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

オラトリオ「ゲロンティアスの夢」 Op. 38: 第2部だが聞け、あの壮大で神秘なハーモニーを Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major	Johannes Brahms, Arcadi Volodos	A Major	0	11B	69 BPM
Violin Concerto No. 3 in F Major, RV 293 "L'autunno": I. Allegro	Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen	F Major	2	7B	122 BPM
Sibelius: Finlandia, Op. 26	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	A♭ Major	1	4B	150 BPM
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood	Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner	E Major	0	12B	137 BPM
Cello Concerto No.1, Op.107: 1. Allegretto	Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich	G Minor	2	6A	126 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered	Alexander Scriabin, Vladimir Horowitz	D♭ Minor	3	12A	72 BPM
Capriol Suite: 6. Mattachins (Sword Dance)	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	F Major	3	7B	82 BPM
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile	Ludwig van Beethoven, Daniel Barenboim	A♭ Major	0	4B	97 BPM
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song"	Felix Mendelssohn, Daniel Barenboim	G Minor	0	6A	82 BPM
Capriol Suite: 2. Pavane	Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	0	6B	160 BPM