"Sonatae unarum fidium: No. 1 in C Major" by Johann Heinrich Schmelzer, Gunar Letzbor, Ars Antiqua Austria was released on March 18, 2022. Since Sonatae unarum fidium: No. 1 in C Major is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Schmelzer: Violin Sonatas". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Sonatae unarum fidium: No. 1 in C Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonatae unarum fidium: No. 1 in C Major by Johann Heinrich Schmelzer, Gunar Letzbor, Ars Antiqua Austria having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonata à 3 "Lanterly" | Johann Heinrich Schmelzer, Le Concert Brisé, William Dongois | D Minor | 2 | 7A | 107 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | F♯ Major | 0 | 2B | 80 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Trio Sonata in G Major, G01: II. Allegro Assai | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | D♭ Major | 1 | 3B | 111 BPM | ||
Concerto pour piccolo et cordes en Ut majeur, Premier mouvement: Allegro | Antonio Vivaldi, William Heim, New York Philharmonic, Leonard Bernstein | C Major | 2 | 8B | 110 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Trio Sonata in D Minor, RV 63 "Follia": Variation 11 (Larghetto) | Antonio Vivaldi, Le Consort | D♭ Minor | 3 | 12A | 78 BPM |
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