Adrian Willaert, Pierre Certon, Pierre Attaingnant, Jacob Clemens non Papa, Musica Antiqua of London's 'Baisez moi (à 3) - J'ay le rebours - Pavane (à 4) - Au joli bois (à 3) (Arr. Thorby)' came out on January 1, 1991. Baisez moi (à 3) - J'ay le rebours - Pavane (à 4) - Au joli bois (à 3) (Arr. Thorby) is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 14 in the song's album "The Field of Cloth of Gold". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Baisez moi (à 3) - J'ay le rebours - Pavane (à 4) - Au joli bois (à 3) (Arr. Thorby) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Baisez moi (à 3) - J'ay le rebours - Pavane (à 4) - Au joli bois (à 3) (Arr. Thorby) by Adrian Willaert, Pierre Certon, Pierre Attaingnant, Jacob Clemens non Papa, Musica Antiqua of London having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 77 BPM | ||
A Long Way | Wayne Hubbard | A♭ Minor | 1 | 1A | 173 BPM | ||
Искупил ны еси от клятвы законныя | Хор Сретенского монастыря | F♯ Major | 1 | 2B | 74 BPM | ||
O Bone Jesu | ensemble tresonare | D Minor | 1 | 7A | 106 BPM | ||
Da pacem Domine | Adrian Willaert, Dionysos Now | F Major | 2 | 7B | 124 BPM | ||
In nomine Iesu: Adoramus te | Loyset Compère, Odhecaton, Paolo da Col | C Major | 1 | 8B | 70 BPM | ||
Quia Viderunt Oculi Mei | Wayne Hubbard | A♭ Minor | 1 | 1A | 88 BPM | ||
Le Triomphe de l'Harmonie: Nous jouissons de nos asiles… (Chœur de nymphes) | François-Lupien Grenet, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Minor | 1 | 12A | 134 BPM | ||
Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
Missa ex B: XIII. Genitum, non factum - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 2 | 6B | 101 BPM |
Section: 0.5623610019683838
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