"Concerto for Percussion & Orchestra "Sieidi": Bar 165" by Kalevi Aho, Colin Currie, Lahti Symphony Orchestra, Dima Slobodeniouk was released on September 4, 2020. The duration of Concerto for Percussion & Orchestra "Sieidi": Bar 165 is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Concerto for Percussion & Orchestra "Sieidi": Bar 165's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kalevi Aho, Colin Currie, Lahti Symphony Orchestra, Dima Slobodeniouk's "Kalevi Aho: Sieidi & Symphony No. 5" album is number 2 out of 12. On top of that, Sweden appears to be the country where this track was created. Concerto for Percussion & Orchestra "Sieidi": Bar 165 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Percussion & Orchestra "Sieidi": Bar 165 by Kalevi Aho, Colin Currie, Lahti Symphony Orchestra, Dima Slobodeniouk to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto: III. Passacaglia. Adagio - Cadenza | Kalevi Aho, Bram van Sambeek, Lahti Symphony Orchestra, Dima Slobodeniouk | B♭ Major | 0 | 6B | 83 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Firestorm Symphony: III. All the Trees Are Growing | Margaret Brandman, Moravian Philharmonic Orchestra, Petr Vronsky | A Major | 0 | 11B | 124 BPM | ||
Messiaen: Éclairs sur l'au-delà...: X. Le chemin de l'invisible | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Suite for Violin and Piano, Op. 6: IV. Waltz | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Concerto Grosso: III. Toccata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | C Major | 2 | 8B | 152 BPM | ||
HFTMRX | KNOXVILLETRACKZ | D♭ Minor | 0 | 12A | 174 BPM |
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