"Artistote: "L’humanité est divisée en deux : Les maîtres et les esclaves" / Musique: Percussions" by Jordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento was released on February 17, 2017. With Artistote: "L’humanité est divisée en deux : Les maîtres et les esclaves" / Musique: Percussions being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "The Routes of Slavery". In this album, this song's track order is #1. Based on our statistics, Artistote: "L’humanité est divisée en deux : Les maîtres et les esclaves" / Musique: Percussions's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Artistote: "L’humanité est divisée en deux : Les maîtres et les esclaves" / Musique: Percussions by Jordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: III. Gavotte en rondeau | Georg Philipp Telemann, Jordi Savall | B♭ Minor | 4 | 3A | 128 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Makam Muhayyer “Küme” uşūleş Düyek - Acemler (War turkish march) | Acemler, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI | C Major | 4 | 8B | 125 BPM | ||
II. White Man Sleeps | Kevin Volans, Kronos Quartet | E Minor | 1 | 9A | 128 BPM | ||
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: 2e Air Pour Les Mesmes (Philidor) | Le Concert Des Nations, Jordi Savall | F Major | 2 | 7B | 116 BPM | ||
Sinfonia di Guerra (d’après Monteverdi) | Mercedes Ruiz, Xavier Puertas, Manfredo Kraemer, David Plantier, Carlos Garcîa-Bernal, Jordi Savall, Natan Paruzel | G Major | 4 | 9B | 137 BPM | ||
Ouverture-Suite B-Dur, TWV 55:B1: III. Allégresse. Vite | Georg Philipp Telemann, Jordi Savall | A Major | 3 | 11B | 137 BPM | ||
III. - Galliard (Holborne) | Anthony Holborne, Hespèrion XXI, Jordi Savall | G Major | 3 | 9B | 182 BPM | ||
Fantaisie: I. Grave | Jean-Féry Rebel, Jordi Savall | D♭ Major | 1 | 3B | 117 BPM | ||
Lachrimae Coactae | Hespèrion XXI, Jordi Savall | A Minor | 1 | 8A | 80 BPM |
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