"To Rebecca" by Bill Wilson was released on January 7, 1973. To Rebecca is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 3 out of 11 in Ever Changing Minstrel by Bill Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, To Rebecca's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of To Rebecca by Bill Wilson is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Just Like Tom Thumb's Blues | Medicine Head | E Major | 6 | 12B | 120 BPM | ||
The Good Ship Society | Bill Wilson | G Major | 6 | 9B | 154 BPM | ||
A Lion In the Jungle | Carl Perkins | F Major | 5 | 7B | 103 BPM | ||
Down Drinking at the Bar | Loudon Wainwright III | A Major | 4 | 11B | 106 BPM | ||
How Come - Alternate Version | Ronnie Lane | D Major | 4 | 10B | 129 BPM | ||
Dirty, Dirty | Crazy Horse | A Minor | 6 | 8A | 190 BPM | ||
Once Was a Gambler | Lightnin' Hopkins | B♭ Major | 1 | 6B | 177 BPM | ||
Eastbourne Ladies - 2010 Digital Remastered | Kevin Coyne | D♭ Minor | 7 | 12A | 137 BPM | ||
Old Man at the Mill | Iain Matthews | B Major | 7 | 1B | 144 BPM | ||
Things Ain't What They Used to Be (And Probably Never Was) | Larry Jon Wilson | F Major | 2 | 7B | 104 BPM |
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