Hermit Songs, Op. 29: No. 5, The Crucifixion - Samuel Barber, Leontyne Price Information

Acousticness
99%
Danceability
33%
Energy
4%
Instrumentalness
0%
Liveness
9%
Loudness
61%
Speechiness
5%
Valence
8%
Popularity
Loudness
-23.574 dB

Summary

"Hermit Songs, Op. 29: No. 5, The Crucifixion" by Samuel Barber, Leontyne Price had its release date on 1951. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 13 in Barber: Knoxville, Summer of 1915, Op. 24, Dover Beach, Op. 3, Hermit Songs, Op. 29 & Andromache's Farewell, Op. 39 by Samuel Barber, Leontyne Price. In terms of popularity, Hermit Songs, Op. 29: No. 5, The Crucifixion is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hermit Songs, Op. 29: No. 5, The Crucifixion BPM

The tempo marking of Hermit Songs, Op. 29: No. 5, The Crucifixion by Samuel Barber, Leontyne Price is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.

Hermit Songs, Op. 29: No. 5, The Crucifixion Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records