"La Damnation de Faust: ''D'amour, l'ardente flamme''" by Orchestre Radio Lyrique, Jules Gressier, Geori Boue was released on January 30, 2012. Since La Damnation de Faust: ''D'amour, l'ardente flamme'' is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Singer Portrait - Géori Boué". In this album, this song's track order is #4. In terms of popularity, La Damnation de Faust: ''D'amour, l'ardente flamme'' is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Damnation de Faust: ''D'amour, l'ardente flamme'' by Orchestre Radio Lyrique, Jules Gressier, Geori Boue having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Viens! Viens! c'est l'honneur (L'Opinion Publique/Orphee) | Jacques Offenbach, Yann Beuron/Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski/Sharman Plesner, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A♭ Major | 3 | 4B | 126 BPM | ||
O colombina (i pagliacci) | Tito Schipa | A Minor | 1 | 8A | 87 BPM | ||
Roméo et Juliette, CG 9, Act I: Act I: Ange adorable, ma main coupable (Romeo, Juliette) | Charles Gounod, Etienne Troy, Jean Cazaux, Josephine Daram, Pierre Marie Laurent, Chœurs Radio-Lyrique, Orchestre Radio Lyrique, Alain Vanzo, Huguette Riviere, Jacques Mars, Henri Perrotte, Jane Berbié, Michel Roux, Freda Betti, Jean Mollien, André Mallarmé, Pierre Michel Leconte | F Major | 4 | 7B | 114 BPM | ||
Gounod: Roméo et Juliette, Act 2: "L’Amour!..." (Romeo) | Charles Gounod, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | D Major | 2 | 10B | 99 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Srdce v rákosí: "Hvězdy se líbají" | Jaroslav Jankovec, Dagmar Peckova, Zdeněk Matouš, Dvořák Chamber Orchestra, Miroslav Homolka | G Major | 1 | 9B | 66 BPM | ||
Roméo et Juliette, CG 9: Act III Que fais-tu, blanche tourterelle, (Stephano) | Charles Gounod, Michel Roux, Freda Betti, Jean Mollien, André Mallarmé, Etienne Troy, Jean Cazaux, Josephine Daram, Pierre Marie Laurent, Chœurs Radio-Lyrique, Orchestre Radio Lyrique, Alain Vanzo, Huguette Riviere, Jacques Mars, Henri Perrotte, Jane Berbié, Pierre Michel Leconte | D Major | 3 | 10B | 107 BPM | ||
Cecilia: Padre! Ho pregato | Licinio Refice, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F Minor | 1 | 4A | 106 BPM | ||
Donizetti: Roberto Devereux, Act 1: "Dacche tornasti, ahi misera!" (Sara, Roberto) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | D Major | 0 | 10B | 171 BPM |
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