"Missa pro Defunctis (1544): Benedictus" by Cristobal de Morales, Gabrieli, Paul McCreesh was released on January 1, 1998. With Missa pro Defunctis (1544): Benedictus being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cristobal de Morales, Gabrieli, Paul McCreesh's "Morales: Requiem - Music for Philip II" album is number 14 out of 19. On top of that, Germany appears to be the country where this track was created. Missa pro Defunctis (1544): Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis (1544): Benedictus by Cristobal de Morales, Gabrieli, Paul McCreesh to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heyr þú oss himnum á | Anna Thorvaldsdottir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | D Minor | 0 | 7A | 138 BPM | ||
Opening Psalm (Greek Chant, Harmonized By A. Lvov) | S. Serafimovich, F. Stroganov, Ascention Church Choir (Maloe), Moscow | G Major | 1 | 9B | 78 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
Lachrimae | John Dowland, Elizabeth Kenny, Theatre of Early Music | F♯ Minor | 0 | 11A | 87 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
MAGNIFICAT: I. Magnificat anima mea | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Magne H. Draagen, Øyvind Gimse | E Minor | 1 | 9A | 87 BPM | ||
Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM | ||
O Rubor Sanguinis: Antienne | Hildegard von Bingen, Brigitte Lesne, Discantus | F Major | 0 | 7B | 75 BPM | ||
Veni, Lumen Cordium | Margaret Rizza | F Minor | 1 | 4A | 75 BPM |
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