"Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza)" by Pietro Mascagni, Elena Obraztsova, Fedora Barbieri, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre was released on September 27, 1985. Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Georges Prêtre, Orchestra Del Teatro Alla Scala, Milano's "Mascagni: Cavalleria Rusticana" album is number 10 out of 20. Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) by Pietro Mascagni, Elena Obraztsova, Fedora Barbieri, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impromptu No. 3 in G-Flat Major, Op.90, D 899 | Clare Hammond | F♯ Major | 0 | 2B | 175 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 18. Andante cantabile | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | D♭ Major | 1 | 3B | 82 BPM |
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