Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina's 'La Giuditta: Part I: Recitative: Duce, Bettulia e serva del tuo valor (Giuditta)' came out on January 1, 2009. With La Giuditta: Part I: Recitative: Duce, Bettulia e serva del tuo valor (Giuditta) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 45 in the song's album "Scarlatti, A.: Giuditta (La) [Opera]". In this album, this song's track order is #16. La Giuditta: Part I: Recitative: Duce, Bettulia e serva del tuo valor (Giuditta) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Giuditta: Part I: Recitative: Duce, Bettulia e serva del tuo valor (Giuditta) by Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina having a BPM of 48 with a half-time of 24 BPM and a double-time of 96 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pasión: Vere Languóres. Alto Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Belshazzar HWV 61, Act III: Recit. accompany'd - Thus saith the Lord | George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Trio Sonata in C Major, BuxWV 256: I. Vivace | Dietrich Buxtehude, Ensemble Mélero | B Major | 3 | 1B | 96 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 2: Récit. Quoi, toujours du léger ? (Clarice, Florine) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM | ||
Membra Jesu Nostri, BUXWV 75, cantata V ad pectus: IV. Pectus mihi confer mundum | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra, Kristen Witmer, Lucía Caihuela, Jan Kullmann, William Knight, Matthew Baker, Anonymous | F♯ Minor | 2 | 11A | 142 BPM | ||
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
LOrfeo, SV318: Signor, Quellinfelice | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: IX. Qui sedes ad dexteram Patris: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | A♭ Major | 0 | 4B | 132 BPM |
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