Bruce Adolphe, Itzhak Perlman, Michele Mariana, The Chamber Music Society Of Lincoln Center, Ariella Perlman's 'Marita and Her Heart's Desire: Marita Goes Home' came out on November 1, 1998. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Itzhak Perlman, The Chamber Music Society Of Lincoln Center, Bruce Adolphe, Royal Philharmonic Orchestra, André Previn, Michele Mariana's "Marita and Her Heart's Desire" album is number 11 out of 37. On top of that, United States appears to be the country where this track was created. Marita and Her Heart's Desire: Marita Goes Home is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marita and Her Heart's Desire: Marita Goes Home by Bruce Adolphe, Itzhak Perlman, Michele Mariana, The Chamber Music Society Of Lincoln Center, Ariella Perlman to be Lento (slowly) because the track has a tempo of 50 BPM, a half-time of 25BPM, and a double-time of 100 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Thoughts Considered as Music: No. 1. The hidden harmony is better than the obvious one (Heraclitus) | Bruce Adolphe, Carlo Grante | E♭ Minor | 0 | 2A | 68 BPM | ||
Fauré: Élégie in C Minor, Op. 24 | Gabriel Fauré, Han-Na Chang, London Symphony Orchestra, Mstislav Rostropovich | A♭ Major | 0 | 4B | 173 BPM | ||
Moon Silver (arr. J. Lloyd Webber for 2 cellos and piano) | William Lloyd Webber, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | B Minor | 1 | 10A | 67 BPM | ||
Vocalise, Op.34, No.14, Lentamente cantabile - Transcr. for cello and piano by Rachmaninov | Sergei Rachmaninoff, Henri Demarquette, Vanessa Benelli Mosell | E♭ Major | 3 | 5B | 109 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
Piano Puzzlers: For He's a Jolly Good Fellow | Bruce Adolphe, Carlo Grante | F Major | 1 | 7B | 69 BPM | ||
Crisantemi | Giacomo Puccini, Arabella Quartet | D♭ Minor | 1 | 12A | 91 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Mercy | Max Richter, Hilary Hahn, Cory Smythe | B♭ Minor | 0 | 3A | 91 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM |
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