"The Miracle of Our Lady, H. 236, Act I, Scene 3, Sister Pascalina: Interlude - The Bells Call All to Sacred Mass" by Bohuslav Martinů, Czech Radio Chorus, Prague Symphony Orchestra, Milan Malý, Jiří Bělohlávek, Otakar Brousek was released on January 1, 1993. Since The Miracle of Our Lady, H. 236, Act I, Scene 3, Sister Pascalina: Interlude - The Bells Call All to Sacred Mass is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bohuslav Martinů, Dalibor Jedlicka, Karel Průša, Eva Děpoltová, Jiří Bělohlávek, Milan Malý, Prague Symphony Orchestra's "Martinů: Les Jeux de Marie, Cycle of 4 Operas" album is number 20 out of 24. The Miracle of Our Lady, H. 236, Act I, Scene 3, Sister Pascalina: Interlude - The Bells Call All to Sacred Mass is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Miracle of Our Lady, H. 236, Act I, Scene 3, Sister Pascalina: Interlude - The Bells Call All to Sacred Mass by Bohuslav Martinů, Czech Radio Chorus, Prague Symphony Orchestra, Milan Malý, Jiří Bělohlávek, Otakar Brousek to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | D♭ Major | 1 | 3B | 63 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
A Symphonic Mass: IV. Offertorium | George Lloyd, Bournemouth Symphony Orchestra | G Major | 3 | 9B | 131 BPM | ||
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Java Suite: Part I: I. Gamelan | Leopold Godowsky, Konstantin Scherbakov | D Minor | 0 | 7A | 88 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM |
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