Fujiyama Ichiro made "夢淡き東京" available on July 21, 2004. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 藤山一郎全曲集, so we believe that "夢淡き東京" is a single. In terms of popularity, 夢淡き東京 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 夢淡き東京 by Fujiyama Ichiro is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
黒い花びら | Hiroshi Mizuhara | A Minor | 3 | 8A | 121 BPM | ||
黄昏のビギン - New Version | Hiroshi Mizuhara | F Major | 4 | 7B | 105 BPM | ||
湯の町エレジー | 近江俊郎 | D Minor | 2 | 7A | 136 BPM | ||
メランコリー | Michiyo Azusa | E♭ Minor | 5 | 2A | 136 BPM | ||
恋の雪別れ | 小柳ルミ子 | G Major | 5 | 9B | 124 BPM | ||
あの町この町 | Fujiyama Ichiro | C Minor | 3 | 5A | 89 BPM | ||
大東亜決戦の歌 | Fujiyama Ichiro | E Major | 5 | 12B | 180 BPM | ||
泣かないで | 和田弘とマヒナスターズ | A Minor | 3 | 8A | 76 BPM | ||
大阪すずめ | Miyuki Nagai | A♭ Minor | 5 | 1A | 93 BPM | ||
二人でお酒を | Michiyo Azusa | G Minor | 4 | 6A | 123 BPM |
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