"Einleitung, Fuge und Magnificat aus der Symphonie zu Dante’s Divina Commedia, S. 109: Einleitung" by Franz Liszt, Olivier Vernet was released on April 11, 2011. With this song being about 5 minutes long, at 5:06, "Einleitung, Fuge und Magnificat aus der Symphonie zu Dante’s Divina Commedia, S. 109: Einleitung" by Franz Liszt, Olivier Vernet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Olivier Vernet's "Liszt: Das Orgelwerk" album is number 3 out of 74. On top of that, France appears to be the country where this track was created. Einleitung, Fuge und Magnificat aus der Symphonie zu Dante’s Divina Commedia, S. 109: Einleitung is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Einleitung, Fuge und Magnificat aus der Symphonie zu Dante’s Divina Commedia, S. 109: Einleitung by Franz Liszt, Olivier Vernet to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
13 Pieces for Piano, Op. 76: II. Etude | Jean Sibelius, Jian Wang, Göran Söllscher | G Minor | 0 | 6A | 124 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM |
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