"Airs from Vauxhall Gardens: Aria Caro voi siete all'alma. Andante from Serse (Xerxes, 1738)" by George Frideric Handel, Tafelmusik Baroque Orchestra was released on 1993. The duration of Airs from Vauxhall Gardens: Aria Caro voi siete all'alma. Andante from Serse (Xerxes, 1738) is about 3 minutes long, at 3:00. Based on our data, "Airs from Vauxhall Gardens: Aria Caro voi siete all'alma. Andante from Serse (Xerxes, 1738)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Tafelmusik Baroque Orchestra's "Music for Trumpet and Orchestra" album is number 19 out of 23. In terms of popularity, Airs from Vauxhall Gardens: Aria Caro voi siete all'alma. Andante from Serse (Xerxes, 1738) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Airs from Vauxhall Gardens: Aria Caro voi siete all'alma. Andante from Serse (Xerxes, 1738) by George Frideric Handel, Tafelmusik Baroque Orchestra to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |
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