"Astio non morì mai" by Andrea da Firenze, La Morra, Corina Marti, Michał Gondko was released on February 16, 2024. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in La Morra, Theatro dei Cervelli, Francesco Corti's "Music in Golden-Age Florence 1250-1750" album is number 7 out of 49. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Astio non morì mai is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Astio non morì mai by Andrea da Firenze, La Morra, Corina Marti, Michał Gondko to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amor, l'mi lamento | Andrea da Firenze, Cantar Alla Viola | A♭ Major | 0 | 4B | 118 BPM | ||
O Combien est heureuse | Adrien le Roy, The King's Noyse, David Douglass, Ellen Hargis | E♭ Major | 1 | 5B | 98 BPM | ||
Dos estrellas le siguen | Manuel Machado, Gérard Lesne | G Minor | 2 | 6A | 115 BPM | ||
Miserere: XI. Tunc acceptabis sacrificium justitiae ; Tunc inponent - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 110 BPM | ||
A Winter Road, Op. 42, No. 2 | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 78 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 1. Assumpta Est Maria in Caelum | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Guerrero: O Virgo Benedicta | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM | ||
Lamentations II for Maundy Thursday "In Coena Domini": Lectio I: No. 6, Jerusalem, Jerusalem | Giovanni Pierluigi da Palestrina, Cinquecento | E♭ Major | 0 | 5B | 85 BPM | ||
Dances: Sic semper soleo | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | G Minor | 0 | 6A | 110 BPM | ||
Dolce speranza d'amoroso foco | Andrea da Firenze, Aquila Altera, Maria Antonietta Cignitti, Luca Cervoni, Antonio Pro, Matteo Nardella | C Major | 3 | 8B | 112 BPM |
Section: 0.5859870910644531
End: 0.5900735855102539