Giuseppe Maria Orlandini, Johann Mattheson, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro made "Orlandini / Mattheson: Nerone, Act 1: "Che m'ami ti prega" (Nerone)" available on November 8, 2019. With this song being about 5 minutes long, at 4:32, "Orlandini / Mattheson: Nerone, Act 1: "Che m'ami ti prega" (Nerone)" by Giuseppe Maria Orlandini, Johann Mattheson, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 18 in Facce d'amore by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Orlandini / Mattheson: Nerone, Act 1: "Che m'ami ti prega" (Nerone) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Orlandini / Mattheson: Nerone, Act 1: "Che m'ami ti prega" (Nerone) by Giuseppe Maria Orlandini, Johann Mattheson, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 130 BPM | ||
Suite I in D Minor: VI. Sarabande | Johann Mattheson, Alessandro Simonetto | D♭ Minor | 1 | 12A | 78 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 1 | 11A | 114 BPM | ||
Dido and Aeneas / Act 3: "Your counsel all is urged in vain...But death, alas" | Henry Purcell, Jessye Norman, Marie McLaughlin, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 86 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: III. Presto | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 3 | 12A | 111 BPM | ||
Lully: Persée, LWV 60, Act 5: "Cessons de redouter la fortune cruelle" (Persée) | Jean-Baptiste Lully, Michael Spyres, Il Pomo D'oro, Francesco Corti | B Major | 2 | 1B | 101 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Adela | Joaquín Rodrigo, Aleksander Debicz, Łukasz Kuropaczewski, Jakub Józef Orliński | B Minor | 0 | 10A | 132 BPM |
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