Cantata pastorale per la Natività: II. O di Betlemme altera povertà venturosa (Recitativo) - Alessandro Scarlatti, Dorothee Oberlinger, Dorothee Mields Information

Acousticness: 91%
Danceability: 41%
Energy: 12%
Instrumentalness: 0%
Liveness: 8%
Loudness: 65%
Speechiness: 5%
Valence: 29%
Popularity: 8%
Loudness: -21.205 dB

Summary

Alessandro Scarlatti, Dorothee Oberlinger, Dorothee Mields's 'Cantata pastorale per la Natività: II. O di Betlemme altera povertà venturosa (Recitativo)' came out on November 4, 2022. With Cantata pastorale per la Natività: II. O di Betlemme altera povertà venturosa (Recitativo) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Pastorale". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Based on our statistics, Cantata pastorale per la Natività: II. O di Betlemme altera povertà venturosa (Recitativo)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Cantata pastorale per la Natività: II. O di Betlemme altera povertà venturosa (Recitativo) BPM

With Cantata pastorale per la Natività: II. O di Betlemme altera povertà venturosa (Recitativo) by Alessandro Scarlatti, Dorothee Oberlinger, Dorothee Mields having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.

Cantata pastorale per la Natività: II. O di Betlemme altera povertà venturosa (Recitativo) Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro	Antonio Caldara, Claudio Ferrarini, Accademia Farnese	F Major	5	7B	107 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro	Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	126 BPM
Concerto Grosso in E Minor, Op. 3, No. 3: II. Allegro	Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek	B Minor	3	10A	119 BPM
Sonata in D Major, No. 1: II. Allegro	Arcangelo Corelli, Lucy van Dael, Bob van Asperen	D♭ Major	2	3B	109 BPM
Concerto For Oboe In D Minor - Presto	Tafelmusik Baroque Orchestra	D♭ Minor	3	12A	104 BPM
Ich hatte viel Bekümmernis, BWV 21: Ich hatte viel Bekummernis, BWV 21: Sinfonia	Johann Sebastian Bach, Il Gardellino	B Minor	2	10A	65 BPM
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro]	Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton	A♭ Minor	2	1A	89 BPM
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	103 BPM
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo	Tomaso Albinoni, London Baroque	F♯ Major	2	2B	105 BPM
Dixit Dominus, ZWV 66: Dixit Dominus - After Psalm 109	Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists	F♯ Major	3	2B	115 BPM

ISRC: DEE472200240
Label: L-M Records/RCA Records

Section: 0.5115067958831787

End: 0.5142834186553955