Jordi Savall made "La Minaudière, IV.78 (Marais)" available on January 1, 2006. With La Minaudière, IV.78 (Marais) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jordi Savall's "Marin Marais: Suite D'Un Goût Etranger / Pièces De Viole Du IV Livre, 1717" album is number 6 out of 33. On top of that, Switzerland appears to be the country where this track was created. La Minaudière, IV.78 (Marais) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Minaudière, IV.78 (Marais) by Jordi Savall to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gesproken tekst LVII – LIX (22): "De Zotheid der bisschoppen, kardinalen en soevereine pausen" / Muziek: Estas noches tan largas (Instrumentaal - C. M. Calabria No. 26) | La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Jordi Savall, Sophie Watillon, Sergi Casademunt, Eunice Brandao, Andrew Lawrence-King | G Minor | 9 | 6A | 84 BPM | ||
Ricercar VII | Andrea Gabrieli, Jordi Savall | C Major | 1 | 8B | 111 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: V. Passepied | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | E♭ Major | 1 | 5B | 97 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Romanesca & Passamezzo (Instr.) (Diego Ortiz) | Diego Ortiz, Jordi Savall, Arianna Savall, Ferran Savall, Pedro Estevan, Montserrat Figueras | C Major | 1 | 8B | 137 BPM | ||
Recercadas Sobre Tenores - Rec. Segunda Sobre El Passamezzo Moderno | Jordi Savall, Diego Ortiz | G Major | 4 | 9B | 128 BPM | ||
Rodrigo Martínez | Anonymous, Jordi Savall | G Minor | 7 | 6A | 110 BPM | ||
Water Music - Suite #2 In D, HWV 349 - Aria | George Frideric Handel, Jordi Savall | D♭ Major | 5 | 3B | 160 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM |
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