Blues No. 3
Allan Vaché, Antti Sarpila, Ken Peplowski, Mark Shane, Len Skeat, Joe Ascione
Summit Meeting
7:56 1997
BPM
75
Key
C Minor
Camelot
5A

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Blues No. 3 - Allan Vaché, Antti Sarpila, Ken Peplowski, Mark Shane, Len Skeat, Joe Ascione Information

Acousticness
81%
Danceability
56%
Energy
33%
Instrumentalness
12%
Liveness
12%
Loudness
80%
Speechiness
4%
Valence
40%
Popularity
Loudness
-12.296 dB

Summary

Allan Vaché, Antti Sarpila, Ken Peplowski, Mark Shane, Len Skeat, Joe Ascione made "Blues No. 3" available on 1997. Since Blues No. 3 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Summit Meeting". In this album, this song's track order is #13. Blues No. 3 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Blues No. 3 BPM

With Blues No. 3 by Allan Vaché, Antti Sarpila, Ken Peplowski, Mark Shane, Len Skeat, Joe Ascione having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Blues No. 3 Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5312528610229492

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