Jean Sibelius, Jian Wang, Göran Söllscher made "13 Pieces for Piano, Op. 76: II. Etude" available on January 1, 2007. The duration of 13 Pieces for Piano, Op. 76: II. Etude is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. 13 Pieces for Piano, Op. 76: II. Etude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Reverie". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Based on our statistics, 13 Pieces for Piano, Op. 76: II. Etude's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 13 Pieces for Piano, Op. 76: II. Etude by Jean Sibelius, Jian Wang, Göran Söllscher having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
10 Little Pieces, Op. 34: No. 2. Air De Danse | Håvard Gimse, Jean Sibelius | E Major | 1 | 12B | 104 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Gymnopédie No. 2 | Erik Satie, Philippe Entremont | D Minor | 0 | 7A | 67 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
10 Pensees Lyriques, Op. 40: No. 7. Rondoletto | Håvard Gimse, Jean Sibelius | A♭ Major | 1 | 4B | 125 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM |
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