On January 1, 2004, the song "6 Etudes de Salon: Le Tambour" was released by Johannès Donjon, Gary Schocker. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 34 in Flute Recital: Schocker, Gary - Eyck, J. Van / Ferroud, P.-O. / Schocker, G. / Debussy, C. / Bach, J.S. / Casterede, J. / Telemann, G.P. / Donjon, J. by Gary Schocker. Based on our statistics, 6 Etudes de Salon: Le Tambour's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 6 Etudes de Salon: Le Tambour by Johannès Donjon, Gary Schocker is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Major: IV. Adagio: No. 5, Stets sehr gehalten | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Schumann: 3 Romances, Op. 22: No. 1 Andante molto | Clara Schumann, Emmanuel Pahud, Eric Le Sage | B♭ Major | 0 | 6B | 87 BPM | ||
Sonata in D Major, Kk. 33 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Mendelssohn: Sonata in F Major, MWV Q26: II. Adagio | Felix Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Major | 1 | 11B | 68 BPM | ||
Oblivion (Arr. H. Abel for oboe and chamber ensemble) | Astor Piazzolla, Claremont Duo | C Minor | 0 | 5A | 88 BPM | ||
5 Lieder, Op. 105 (Excerpts Arr. K.H. Schütz for Flute & Piano): No. 1, Wie Melodien zieht es mir | Johannes Brahms, Karl-Heinz Schütz, Maria Prinz | A Major | 0 | 11B | 68 BPM | ||
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Viotti / Arr. Mozart: Violin Concerto in E Minor, WI:16: II. Adagio | Giovanni Battista Viotti, Yehudi Menuhin, Menuhin Festival Orchestra | E Major | 1 | 12B | 100 BPM | ||
Sonata in G Major, Kk. 427 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM |