Elin Kolev, Elena Kolesnitschenko made "Schicksalskonzert (Violin Concerto, Op. 77)" available on October 2, 2020. With Schicksalskonzert (Violin Concerto, Op. 77) being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wunderkinder (Original Motion Picture Soundtrack) by Martin Stock, Elin Kolev, Slovak National Symphony Orchestra. The song's track number on the album is #21 out of 23 tracks. Schicksalskonzert (Violin Concerto, Op. 77) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Schicksalskonzert (Violin Concerto, Op. 77) by Elin Kolev, Elena Kolesnitschenko has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Schicksalskonzert (Violin Concerto, Op. 77) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divenire | Mari Samuelsen, Hakon Samuelsen, Royal Liverpool Philharmonic Orchestra, Clark Rundell | G Major | 2 | 9B | 61 BPM | ||
Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
Reverence: Nocturne 20, C-Sharp Minor Op. P 1 No 16 | Levon Mikaelian | D♭ Minor | 0 | 12A | 68 BPM | ||
Melody for Violin and String Orchestra | Myroslav Skoryk, LGT Young Soloists, Chista-Maria Stangorra, Alexander Gilman | A Minor | 2 | 8A | 83 BPM | ||
Schwanensee, Op. 20: Schwanenthema | Matthias Georg Kendlinger, K & K Philharmoniker | E Minor | 2 | 9A | 137 BPM | ||
Hymn | Karl Jenkins | F Major | 0 | 7B | 133 BPM | ||
Tomorrow | Annelie, Esther Abrami | C Minor | 1 | 5A | 172 BPM | ||
Wallfisch: Lamorma | Yuja Wang, Benjamin Wallfisch | G Major | 1 | 9B | 100 BPM | ||
Frühlingsstimmenwalzer | Vienna Walzer Orchestra | C Minor | 1 | 5A | 104 BPM | ||
A Minor Story | Pieter de Graaf | A Minor | 2 | 8A | 128 BPM |
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