"Channels Passing" by Paul Dresher was released on 1993. Since Channels Passing is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Dark Blue Circumstance by Paul Dresher. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Channels Passing is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Channels Passing by Paul Dresher is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duck Blind | Paul Dresher, Rinde Eckert, Paul Dresher Ensemble | D Major | 1 | 10B | 86 BPM | ||
And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
Sea Slug | David Toop | D♭ Major | 2 | 3B | 52 BPM | ||
Music for 18 Musicians: Pulses | Steve Reich | F♯ Minor | 6 | 11A | 101 BPM | ||
Rothko Chapel 3 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
M - Music I - Inside C - Curved E-Entrances | Terry Riley | F♯ Minor | 6 | 11A | 100 BPM | ||
Idea of Order at Kyson Point | Tom Rogerson, Brian Eno | G Major | 0 | 9B | 74 BPM | ||
Lidia After The Snow | Roberto Musci | E♭ Major | 7 | 5B | 84 BPM | ||
Looking Forward to Something, Dude | Joseph Shabason | D Major | 2 | 10B | 131 BPM | ||
Rolling | Roedelius, Arnold Kasar | A Major | 2 | 11B | 151 BPM |
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