"Weh´, ach wehe! Dies zu dulden (Tristan und Isolde)" by Paula Buchner, Chor Der Staatsoper Berlin, Ludwig Hofmann, Max Lorenz, Staatskapelle Berlin, Erich Zimmermann, Eugen Fuchs, Felix Fleischer, Margarete Klose, Jaro Prohaska, Benno Arnold was released on August 24, 2006. Weh´, ach wehe! Dies zu dulden (Tristan und Isolde) appears to be safe for all ages as it is not explicit. There are a total of 30 in the song's album "Tristan und Isolde". In this album, this song's track order is #4. Weh´, ach wehe! Dies zu dulden (Tristan und Isolde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Weh´, ach wehe! Dies zu dulden (Tristan und Isolde) by Paula Buchner, Chor Der Staatsoper Berlin, Ludwig Hofmann, Max Lorenz, Staatskapelle Berlin, Erich Zimmermann, Eugen Fuchs, Felix Fleischer, Margarete Klose, Jaro Prohaska, Benno Arnold having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchut, Tchut, Serie 4, No. 4 | Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia Orchestra | A Major | 1 | 11B | 115 BPM | ||
"Die Walküre", Zweiter Aufzug: Kehrte der Vater nun heim! (Sieglinde, Hunding, Siegmund, Brünnhilde, Wotan) | Maria Müller, Josef Greindl, Ludwig Suthaus, Paula Buchner, Josef Herrmann | C Major | 4 | 8B | 91 BPM | ||
Puts: The Hours, Act 1: "Clarissa! - Barbara!" (Barbara, Clarissa, Chorus, Virginia, Leonard) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kathleen Kim, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
Gounod : Faust: Act 1 "Avant de quitter" [Valentin] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | E♭ Major | 1 | 5B | 78 BPM | ||
Puccini: Tosca, Act 1: "Ora stammi a sentir" (Tosca, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | A♭ Major | 0 | 4B | 108 BPM | ||
Il Trovatore / Act 2: "Perchè piangete?" - Live | Giuseppe Verdi, Leontyne Price, Laurence Dutoit, Ettore Bastianini, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Kammerchor der Salzburger Festspiele | B♭ Major | 3 | 6B | 99 BPM | ||
Puts: The Hours, Act 1: "Missus Dalloway Said She Would Buy the Flowers Herself" (Laura, Virginia, Chorus, Dan, Richie) [Live] | Kevin Puts, Yannick Nézet-Séguin, Brandon Cedel, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A♭ Minor | 1 | 1A | 113 BPM | ||
Lohengrin, WWV 75 / Act I: Des Ritters will ich wahren | Richard Wagner, Cheryl Studer, Kurt Moll, Andreas Schmidt, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | A Major | 5 | 11B | 137 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM |
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