"Maurerische Trauermusik in C Minor, K.477 'Masonic Funeral Music'" by Sir Neville Marriner, Academy of St. Martin in the Fields was released on 1991. Maurerische Trauermusik in C Minor, K.477 'Masonic Funeral Music' is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Sir Neville Marriner's "Mozart: Symphonies Nos. 31, 33 & 34" album is number 13 out of 13. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Maurerische Trauermusik in C Minor, K.477 'Masonic Funeral Music' is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Maurerische Trauermusik in C Minor, K.477 'Masonic Funeral Music' by Sir Neville Marriner, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: Timon of Athens, Z. 632, Overture: III. March | Henry Purcell, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 108 BPM | ||
Jocelyn, Suite No. 2: Berceuse | Benjamin Godard, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 92 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Pepe Romero, Christine Pendrill, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 70 BPM | ||
String Quartet in D - Arr. for string orchestra: 1. Allegro | Gaetano Donizetti, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 2 | 11B | 135 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM |
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