P.D.Q.Bach, David McGill, Ronald Bishop's '"Dutch" Suite, S. -16: III. Dance of the Grand Dams' had a release date set for September 1, 1992. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. "Dutch" Suite, S. -16: III. Dance of the Grand Dams's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "P.D.Q. Bach: Music for an Awful Lot of Winds & Percussion". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, "Dutch" Suite, S. -16: III. Dance of the Grand Dams's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Dutch" Suite, S. -16: III. Dance of the Grand Dams by P.D.Q.Bach, David McGill, Ronald Bishop having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Musical Sacrifice, S. 50% Off: IV. Chorale Prelude "Da kommt ja der Schurke" | P.D.Q.Bach, Susan Palma-Nidel, Stephen Taylor, Lauren Goldstein, Early Anderson, Gerald Tarack, Michael Williams | G Minor | 0 | 6A | 142 BPM | ||
Síncrono | João Marcondes, Camerata Inaugural | C Major | 1 | 8B | 200 BPM | ||
Adagio & Fugue in C Minor, K. 546 (Version for String Orchestra) | Wolfgang Amadeus Mozart, Nuova orchestra da camera Ferruccio Busoni, Massimo Belli | G Major | 3 | 9B | 118 BPM | ||
Concerto for Clarinet and Orchestra, Op. 124: IV. Andante - Presto | Robert Groslot, Roeland Hendrikx, Brussels Philharmonic | E♭ Major | 3 | 5B | 137 BPM | ||
Violin Concerto: IV. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 1 | 8B | 171 BPM | ||
Moments of Delight | 劉士瑜, Im Baek Hun | E Major | 5 | 12B | 108 BPM | ||
The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
3 pieces: Piece n 3 | Igor Stravinsky, Alain Damiens | A Major | 1 | 11B | 97 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM |