"Tito Manlio, RV 738, Act II, Scene 6: II. Grida quel Sangue" by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone was released on November 2, 2005. The duration of Tito Manlio, RV 738, Act II, Scene 6: II. Grida quel Sangue is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Tito Manlio, RV 738, Act II, Scene 6: II. Grida quel Sangue's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Tito Manlio by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone. The song's track number on the album is #10 out of 94 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Tito Manlio, RV 738, Act II, Scene 6: II. Grida quel Sangue is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Tito Manlio, RV 738, Act II, Scene 6: II. Grida quel Sangue by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Tito Manlio, RV 738, Act II, Scene 6: II. Grida quel Sangue being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Magnificat in G minor, R.610/611: 1. Adagio: Magnificat anima mea Dominum | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers | G Minor | 2 | 6A | 83 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM |
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