- BPM
- 72
- Key
- A♭ Major
- Camelot
- 4B
Daphnis et Chloé, Part I: Une lumière...Danse lente et mystérieuse des Nymphes... - CBSO Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Simon Halsey Information
- Acousticness
- 85%
- Danceability
- 10%
- Energy
- 0%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 31%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 0%
- Loudness
- -41.229 dB
Summary
"Daphnis et Chloé, Part I: Une lumière...Danse lente et mystérieuse des Nymphes..." by CBSO Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Simon Halsey was released on 1992. With this song being about 5 minutes long, at 5:29, "Daphnis et Chloé, Part I: Une lumière...Danse lente et mystérieuse des Nymphes..." by CBSO Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Simon Halsey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Ravel: Daphnis et Chloé - Boléro". In this album, this song's track order is #7. Daphnis et Chloé, Part I: Une lumière...Danse lente et mystérieuse des Nymphes... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Daphnis et Chloé, Part I: Une lumière...Danse lente et mystérieuse des Nymphes... BPM
With Daphnis et Chloé, Part I: Une lumière...Danse lente et mystérieuse des Nymphes... by CBSO Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Simon Halsey having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Daphnis et Chloé, Part I: Une lumière...Danse lente et mystérieuse des Nymphes... Key
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Holy is the True Light | William Henry Harris, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | B♭ Major | 0 | 6B | 130 BPM | |
 | Gloria: I'll Make Music | Karl Jenkins, Polyphony, Stephen Layton | A♭ Major | 1 | 4B | 79 BPM | |
 | Es ist nun aus mit meinem Leben | Johann Christoph Bach, Julia Doyle, Katherine Fuge, Clare Wilkinson, Nicholas Mulroy, James Gilchrist, Jeremy Budd, Matthew Brook, Peter Harvey, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 170 BPM | |
 | Te Deum in C Major, WAB 45: I. Te deum | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | D Major | 1 | 10B | 117 BPM | |
 | Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Kyrie | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Minor | 2 | 7A | 99 BPM | |
 | Old American Songs II: IV. At the River (Arr. R. Wilding-White) | Aaron Copland, Nathaniel Stampley, Jeffrey Hunt, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | E♭ Major | 1 | 5B | 142 BPM | |
 | Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM | |
 | Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Barbara Bonney, Jorge Pita, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | F Major | 2 | 7B | 125 BPM | |
 | Fantasia on British Sea Songs (excerpts): V. Home Sweet Home | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | B♭ Major | 0 | 6B | 72 BPM | |
 | Schicksalslied, Op. 54: Orchestral Postlude with Choir (alternate version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Major | 0 | 11B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8853709697723389
End: 0.8901650905609131