"Psaltare och lyra" by Sven-Eric Johansson, Goteborgs Domkyrkokoren, Gustavikoren, Ann Mari Rydberg-Fernlund was released on October 1, 2010. The duration of Psaltare och lyra is about 3 minutes long, at 3:07. Based on our data, "Psaltare och lyra" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Goteborgs Domkyrkokoren, Ann Mari Rydberg-Fernlund, Ann-Marie Rydberg's "Musik i Domkyrkan Goteborg" album is number 15 out of 20. On top of that, Sweden appears to be the country where this track was created. Psaltare och lyra is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psaltare och lyra by Sven-Eric Johansson, Goteborgs Domkyrkokoren, Gustavikoren, Ann Mari Rydberg-Fernlund to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sing we and chant it - Mixed voices | Bob Chilcott, The Oxford Choir | F Major | 2 | 7B | 95 BPM | ||
Be Still For The Presence Of The Lord (The Holy One Is Here) | BBC Radio 4 Daily Service Singers | D Major | 0 | 10B | 76 BPM | ||
Six Moravian Choruses: IV. Parting without Sorrow | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | F Minor | 0 | 4A | 111 BPM | ||
Annina | Oskar Merikanto, Lauri Nurkkala, Daniel Fallström, Kamarikuoro Sofia Magdalena | D♭ Major | 0 | 3B | 77 BPM | ||
Sleep | Eric Whitacre, Voices of Concinnity | E Major | 1 | 12B | 99 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Many That Are First Shall Be Last | Lyle Stutzman, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Be Still and Know That I Am God | Oasis Chorale, Wendell Nisly | D Major | 1 | 10B | 132 BPM |
Section: 0.5250546932220459
End: 0.5304000377655029