"Anon / Arr Casals: El cant dels ocells" by Anonymous, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris was released on February 2, 2018. The duration of Anon / Arr Casals: El cant dels ocells is about 3 minutes long, at 3:10. Based on our data, "Anon / Arr Casals: El cant dels ocells" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gautier Capuçon's "Intuition" album is number 8 out of 15. In terms of popularity, Anon / Arr Casals: El cant dels ocells is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Anon / Arr Casals: El cant dels ocells by Anonymous, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré / Transc. Büsser: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | F Minor | 1 | 4A | 83 BPM | ||
Easter Sunday: Communio: Pascha nostrum immolatus est Christus | Gregorian Chant, Benedictine Monks of the Abbey Münsterschwarzach, Pater Godehard Joppich | E♭ Major | 1 | 5B | 132 BPM | ||
O Bone Iesu | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | B Major | 0 | 1B | 84 BPM | ||
Dvorák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
Tomorrow shall be my dancing day | John Rutter, Traditional, Farnham Youth Choir, Royal Philharmonic Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Nyman: The Heart Asks Pleasure First | Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | A Minor | 1 | 8A | 108 BPM | ||
The Nutcracker Suite, Op. 71a: V. Arab Dance | Pyotr Ilyich Tchaikovsky, Slovak Philharmonic, Michael Halasz | F Major | 0 | 7B | 65 BPM | ||
Ducros: Encore | Jerome Ducros, Gautier Capuçon | D Major | 3 | 10B | 81 BPM | ||
Schubert / Orch. Ducros: Ave Maria, Op. 52 No. 6, D. 839 | Franz Schubert, Gautier Capuçon, Maitrise Notre-Dame De Paris, Adrien Perruchon, Orchestre de chambre de Paris | B♭ Major | 1 | 6B | 83 BPM | ||
A Boy Was Born, Op. 3: Theme: A Boy Was Born | Benjamin Britten, Elora Festival Singers, Noel Edison | B♭ Minor | 0 | 3A | 87 BPM |
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