Juan María Real's 'Tientos: False de Cambio a Tangos' came out on 2005. The duration of Tientos: False de Cambio a Tangos is about 3 minutes long, at 3:01. Based on our data, "Tientos: False de Cambio a Tangos" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 20 in El Baile Flamenco, Vol. 15: Colombianas - Tientos by Juan María Real. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Tientos: False de Cambio a Tangos is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tientos: False de Cambio a Tangos by Juan María Real is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantares de los Romeros: Fandangos de Huelva - Remastered | Jarrito, Antonio Arenas y su Grupo Flamenco | G Minor | 3 | 6A | 90 BPM | ||
Rapsodia de Pasión | Juanma Terán, Manuel Salado, Juan María Real, Pedro Mechén “Pilo” | F♯ Minor | 6 | 11A | 72 BPM | ||
Fandangos (Avanzado) : Falseta | Lalo Tejada, Juan María Real, Manuel Salado | C Minor | 4 | 5A | 150 BPM | ||
Ermita de Santelmo | Paco Cepero, Diego Amaya, Pedro Sierra | E♭ Minor | 3 | 2A | 68 BPM | ||
A Mi Niña Saira | Antonio de la Malena | E Minor | 5 | 9A | 164 BPM | ||
Y Como Mía Te Adoro | Rengel | D Major | 5 | 10B | 76 BPM | ||
Soleá por Bulerías: Compás y Guitarra | Victor M. Rosa, Mariló García, Lurdes García | B Minor | 6 | 10A | 92 BPM | ||
La Fragua. Tonás | Diego Agujetas, Pepe del Morao | A Major | 2 | 11B | 116 BPM | ||
Sobran Las Explicaciones (Fandangos Con Verdiales) - Remasterizado | Rocío Jurado | F♯ Major | 6 | 2B | 131 BPM | ||
La Mejor Cueva Que Hubiere (Zambra) | Zambra Gitana de Manolo Amaya | C Major | 7 | 8B | 93 BPM |
Section: 0.48474693298339844
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