Georges Bizet, Philharmonia Cassovia, Alfred Walter made "Carmen Suite No. 1: VI. Les Toreadors" available on October 6, 1995. The duration of Carmen Suite No. 1: VI. Les Toreadors is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Carmen Suite No. 1: VI. Les Toreadors's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 19 in Bizet: Carmen Suites Nos. 1 and 2 / L'Arlesienne Suites Nos. 1 and 2 by Georges Bizet, Philharmonia Cassovia, Alfred Walter. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Carmen Suite No. 1: VI. Les Toreadors's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Carmen Suite No. 1: VI. Les Toreadors by Georges Bizet, Philharmonia Cassovia, Alfred Walter is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazzy Frenchy | Bensound | G Major | 8 | 9B | 114 BPM | ||
Toccata and Fugue in D minor, BWV 565: | Hans Christoph Becker-Foss | D Minor | 1 | 7A | 89 BPM | ||
Awe (Part II) | Jayeson Andel | G Major | 8 | 9B | 186 BPM | ||
The Nutcracker Suite, Op. 71a: VI. Chinese Dance - V. Arab Dance | Pyotr Ilyich Tchaikovsky, London Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 84 BPM | ||
Barber Shop Scene (Hungarian Dance No. 5) | Charlie Chaplin | G Minor | 1 | 6A | 167 BPM | ||
The Magnificent Seven | Elmer Bernstein, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 4 | 7B | 128 BPM | ||
Overture 1812, Op.49: Overture 1812 - Finale | Pyotr Ilyich Tchaikovsky, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 4 | 5B | 90 BPM | ||
Best Hits | DJ Vickers | D♭ Major | 7 | 3B | 135 BPM | ||
Married Life (From "Up") | Gina Luciani | C Major | 0 | 8B | 176 BPM | ||
Verano, RV. 315: III. Allegro-Presto | Andante Baroque Consort | G Minor | 5 | 6A | 138 BPM |
Section: 0.5601847171783447
End: 0.5641720294952393