"Solo di violoncello con due violini e basso in G Major: III. Adagio" by Nicola Sabatino, Gaetano Nasillo, Ensemble 415, Chiara Banchini was released on 2002. The duration of Solo di violoncello con due violini e basso in G Major: III. Adagio is about 3 minutes long, at 3:02. Based on our data, "Solo di violoncello con due violini e basso in G Major: III. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Chiara Banchini, Ensemble 415, Amandine Beyer, Gli Incogniti's "Italiane Baroque: Sonatas & Concertos" album is number 19 out of 167. On top of that, France appears to be the country where this track was created. The popularity of Solo di violoncello con due violini e basso in G Major: III. Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Solo di violoncello con due violini e basso in G Major: III. Adagio by Nicola Sabatino, Gaetano Nasillo, Ensemble 415, Chiara Banchini to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite a fur Blockflote, Streicher und Generalbass: Menuett 1/2 | Cologne Chamber Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Oboe Concerto in D Minor, Op. 9 No. 2: III. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | E Minor | 0 | 9A | 106 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonata for two Cellos in E Minor: IV. Spiritoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Simone Vallerotonda, Andrea Buccarella | A♭ Major | 5 | 4B | 130 BPM | ||
Theodora, HWV 68, Overture: Grave - Allegro | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 2 | 10B | 105 BPM | ||
Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 101 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: III. Minuetto | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 4 | 7B | 116 BPM | ||
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM | ||
Airs for the Autumn: Marvel of Peru: II. Comic: Allegro ma non presto | James Oswald, The Broadside Band | F♯ Major | 3 | 2B | 121 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM |
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