Hipolito Lazaro, Maria Barrientos's 'Parigi, o cara, noi lasceremo (La Traviata)' came out on August 29, 2006. The duration of Parigi, o cara, noi lasceremo (La Traviata) is about 3 minutes long, at 3:28. Based on our data, "Parigi, o cara, noi lasceremo (La Traviata)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hipolito Lazaro's "Lebendige Vergangenheit - Hipolito Lazaro" album is number 9 out of 22. On top of that, Austria appears to be the country where this track was created. Parigi, o cara, noi lasceremo (La Traviata) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Parigi, o cara, noi lasceremo (La Traviata) by Hipolito Lazaro, Maria Barrientos to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
La Rosa del Azafrán: "Moniquito, Carmelo y secundarios" | Coros Cantores De Madrid, Gerardo Monreal | F Major | 4 | 7B | 126 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Salmo 32. Antífona 5ª y 8ª. Salmo de Accion de Gracias | Coro Ametsa de Irún, Fernando Echepare | E Major | 3 | 12B | 109 BPM | ||
La Condesa de la Aguja y el Dedal: "Perdóname, Gonzalo..." | Jesús Mª Arozamena, Adolfo Torrado, Jesús Guridi, Gran Orquesta Sinfónica del Teatro Calderón | E♭ Major | 2 | 5B | 88 BPM | ||
Iris, Act I: Apri la tua finestra! | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
O Sole Mio - Digitally remastered | Beniamino Gigli | G Major | 2 | 9B | 70 BPM | ||
Nabucco | Verdi | F Major | 1 | 7B | 122 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Singt dem großen Bassa Lieder - Remastered 2024 | Wolfgang Amadeus Mozart, Heinz Woester, Wilma Lipp, Wiener Staatsopernchor, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM |
Section: 0.7281115055084229
End: 0.7317869663238525